Links movie pool sex swimming. Swimming Home by Deborah Levy – review.



Links movie pool sex swimming

Links movie pool sex swimming

Share via Email With her first novel in 15 years, Deborah Levy has taken worn structures and made something strange and new. The familiar elements in Swimming Home are a middle-class holiday, two families sharing a villa, and a stranger coming into their lives. The risk of cosy familiarity seems great — the usual conflicts, the expected twists — but the result is something spiky and unsettling. In south-east France in July , Joe and Isabel Jacobs are staying with their year-old daughter Nina and another couple.

Joe is a poet, his name anglicised after fleeing occupied Poland in at the age of five. Isabel is a war reporter. Their friends Mitchell and Laura run a business selling primitive weaponry as souvenirs. None is prepared for the sight of a woman "Is it a bear? She is Kitty Finch, the engine of the book.

Isabel invites Kitty to stay. She and Joe are troubled in their marriage and Kitty is "a window waiting to be climbed through" for both of them. Her tendency to wander around naked makes her body the object of examination.

She is doll-like, and has the appearance of a mute, male fantasy, but she is an agent of change, potent as well as vulnerable. Her reason for coming to the villa is her love for Joe's poetry, and, to his dismay, she has brought her own poem, "Swimming Home", for him to read. Poetry is not all that Kitty and Joe have in common. She has come off Seroxat, and Joe has written about the treatment he received for his own depression: Joe's history turns out not to be the removable kind, however.

Isabel, witnessing "human demolition" in her war reporting, has been shattered by knowledge and experience: She has attempted to be "a powerful but fragile female character", but has suffered from society's double standards. Kitty appears anorexic and feels that Isabel is "controlling them all". Isabel's decision to let Kitty stay is an act of dominance which risks spiralling out of control. Joe sees both his poetry and Isabel's reporting as attempts to still the uncontrollable.

He tried to make himself forget. The central characters — Kitty, Isabel, Joe and Nina — are perfectly presented. Levy switches between viewpoints and balances attention among them carefully though the secondary parts are sketchier. The novel is intimate in detail, and fits so much into so little space that it's tempting to check back to make sure the pages are numbered properly.

It also has repeated passages which gradually mesmerise the reader. You did not get home at all. John Self blogs at theasylum.

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Links movie pool sex swimming

Share via Email With her first novel in 15 years, Deborah Levy has taken worn structures and made something strange and new. The familiar elements in Swimming Home are a middle-class holiday, two families sharing a villa, and a stranger coming into their lives. The risk of cosy familiarity seems great — the usual conflicts, the expected twists — but the result is something spiky and unsettling. In south-east France in July , Joe and Isabel Jacobs are staying with their year-old daughter Nina and another couple.

Joe is a poet, his name anglicised after fleeing occupied Poland in at the age of five. Isabel is a war reporter. Their friends Mitchell and Laura run a business selling primitive weaponry as souvenirs. None is prepared for the sight of a woman "Is it a bear? She is Kitty Finch, the engine of the book. Isabel invites Kitty to stay. She and Joe are troubled in their marriage and Kitty is "a window waiting to be climbed through" for both of them.

Her tendency to wander around naked makes her body the object of examination. She is doll-like, and has the appearance of a mute, male fantasy, but she is an agent of change, potent as well as vulnerable. Her reason for coming to the villa is her love for Joe's poetry, and, to his dismay, she has brought her own poem, "Swimming Home", for him to read. Poetry is not all that Kitty and Joe have in common. She has come off Seroxat, and Joe has written about the treatment he received for his own depression: Joe's history turns out not to be the removable kind, however.

Isabel, witnessing "human demolition" in her war reporting, has been shattered by knowledge and experience: She has attempted to be "a powerful but fragile female character", but has suffered from society's double standards. Kitty appears anorexic and feels that Isabel is "controlling them all". Isabel's decision to let Kitty stay is an act of dominance which risks spiralling out of control. Joe sees both his poetry and Isabel's reporting as attempts to still the uncontrollable.

He tried to make himself forget. The central characters — Kitty, Isabel, Joe and Nina — are perfectly presented. Levy switches between viewpoints and balances attention among them carefully though the secondary parts are sketchier.

The novel is intimate in detail, and fits so much into so little space that it's tempting to check back to make sure the pages are numbered properly.

It also has repeated passages which gradually mesmerise the reader. You did not get home at all. John Self blogs at theasylum.

Links movie pool sex swimming

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3 Comments

  1. She kills Duquette as revenge for killing Kelly and her friend, Davie, and for arresting her on a drug charge when he realized she had witnessed the murder the arrest from which Lombardo had not bailed her out. In reality, Lombardo and the two girls were accomplices who used the trial as a way to get money from Kelly's wealthy family.

  2. Isabel invites Kitty to stay. John Self blogs at theasylum. In a final scene Bowden meets with Suzie, whose financial affairs he is handling.

  3. No charges are filed against Duquette, but he is dismissed from the force for disobeying orders.

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